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No joke, it is harrrrrd to find actors who recognize why it might be worth it to allow for a woman to hold the spotlight. The industry has raised them to believe it lessens their power (i.e., financial value) to accept these roles, which is one of the reasons it’s so hard to get financing for movies focusing on female stories. In case you haven’t already combusted into a fit of jealous rage, please direct your eyeballs over to this Instagram:Ī post shared by Olivia Wilde me to copy and paste the swoon-inducing caption for easy perusal: “Little-known fact: Most male actors don’t want to play supporting roles in female-led films.
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It’s pretty powerful and kind of extraordinary to see someone in his position redefining what it can mean to be a man with confidence.”ĭespite all that, uh, enthusiasm, Harry and Olivia apparently kept things professional while working together on-set. I think he is in many ways championing that, spearheading that. In Harry’s iconic Vogue cover interview, Olivia admitted that she “did a little victory dance when we heard that we officially had Harry in the film.” And she didn’t stop there―she full-on gushed about Harry, telling Vogue: “To me, he’s very modern, and I hope that this brand of confidence as a male that Harry has-truly devoid of any traces of toxic masculinity-is indicative of his generation and therefore the future of the world. KiKi Layne, of If Beale Street Could Talk, replaced Dakota Johnson, who had to exit the cast due to scheduling issues.Īlthough we don’t know exactly when Olivia and Harry started romancing, we do know that she was suuuper enthusiastic about his casting. The specific details around everyone’s roles are still a bit foggy, but according to Collider, Florence plays an “unhappy housewife,” Harry plays her “picture-perfect husband,” Chris maaaybe plays some kind of cultlike leader, and Olivia herself plays a supporting character. At the time, Shia’s departure was chalked up to scheduling conflicts, but Variety later confirmed that Olivia showed him the door following the news that FKA Twigs, Shia’s ex, had filed a lawsuit against him for “relentless” abuse.
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Don’t Worry Darling probably got put on your radar back in early September 2020, when Deadlinereported that Harry nabbed the lead role, replacing Shia. To name just a few A-listers, the cast includes Florence Pugh (who stole our hearts with her Oscar-nominated performance in Little Women), Star Trek’s Chris Pine, and Crazy Rich Asians’ Gemma Chan. Get this: She apparently swore by group hugs with the Booksmart crew. Luckily for everyone involved in Don’t Worry Darling, Olivia is committed to barring toxic attitudes from set and cultivating a supportive community of creatives. Three big arguments that reinstate your power, remind everyone who’s in charge, be the predator.’ That is the opposite of my process. They said, ‘Listen, the way to get respect on a set, you have to have three arguments a day. Famously, she fired Shia LaBeouf from this project, citing her “no assholes policy,” a way of thinking that she expanded upon in Variety’s Director on Director series: “Someone, who’s a very established actor and director in this industry, gave me really terrible advice that was helpful, because I just knew I had to do the opposite. Browne and Tom Petty are both seen guesting with Springsteen in the movie.A post shared by Olivia Wilde Don’t Worry Darling is only Olivia’s second directing project -she made her directorial debut in 2019 with the majorly successful and critically acclaimed teen comedy Booksmart-she’s already established herself as a badass force to be reckoned with behind the camera. A triple LP was released featuring most of the artists who’d taken part, with Springsteen’s “Detroit Medley” finale regarded as the key recording among the 27 tracks. The No Nukes shows were arranged by the Musicians United for Safe Energy charity, overseen by Graham Nash, Jackson Browne, Bonnie Raitt and John Hall.
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“I quickly realized that these were the best performances and best filming from the band’s legendary ‘70s, and dedicated myself to bringing out the full potential of the footage.” He added: “Having worked as Bruce’s principal director and editor for the last 20 years, I can say without reservation that this newly re-edited, re-mixed and restored 90-minute film is the gold standard for Bruce and the band live during one of their greatest creative periods.” “A few years ago, I started re-examining the filmed archives for Bruce and the band’s appearances at the No Nukes concerts,” editor Thom Zinny said in a statement.